Mitch Rapp and his girlfriend are on vacation in Basque, Spain, when a radical Islamist jihadist cell lands on the beach and begins to attack the civilians with assault rifles. Amid the carnage, Rapp frantically attempts to find his girlfriend, but is unable to prevent her death at the hands of the terrorists.
Eighteen months later, Rapp, now consumed by his desire for vengeance, frequents an internet message board where the terrorist responsible for his girlfriend’s murder quizzes Rapp on aspects of Islam and jihad. Having secured an invitation to meet him face to face, Rapp prepares to take his vengeance on the man responsible for his girlfriend’s death, but before he can kill the terrorist, the cell is suddenly ambushed by U.S. Special Forces. Upset over the perception that he has been denied his vengeance, Rapp repeatedly stabs the terrorist he was after before being dragged out by the U.S. forces. In a CIA safe house Rapp undergoes 30 days of debriefing before being offered a chance by CIA Deputy Director Irene Kennedy to join a black operations unit codenamed Orion. Its head, Stan Hurley, is a former U.S. Navy SEAL and a Cold War veteran who trains Rapp and the other potential recruits in asymmetrical warfare.
Elsewhere, word comes down through intelligence channels that weapons grade nuclear material has gone missing from a decommissioned Russian nuclear facility. The material in question appears to be heading to Iranian hardliners, who are upset with the Iranian government’s recent nuclear deal with the U.S. While verifying the sale of the nuclear material in Poland the plutonium is intercepted by a third party, who eliminates the sellers before vanishing into the crowd. In Virginia, Hurley sees news reports about the incident in Poland and tentatively ID’s the perpetrator as a former Navy SEAL and Orion operative believed to have been killed in action and now going by the codename “Ghost”. Hurley’s team is sent into Turkey to intercept the buyer “Ghost” is working for.
In Istanbul, Hurley’s team is made, and the attempted intercept of the trigger device fails. Rapp pursues the buyer to his apartment, and after a protracted fight kills the man and retrieves his laptop. The information leads the team to Rome, where Orion operatives ID a nuclear physicist needed to craft the nuclear material into a functional nuclear weapon. While in Rome, Rapp’s female companion Annika accidentally lets the name “Ghost” slip despite the fact that Rapp had not given her that name, leading Rapp to correctly ID the woman as a foreign intelligence agent. After a confrontation and her subsequent capture, she explains that she is working for the mainstream Iranian faction which is attempting to stop the hardliners from acquiring nuclear material, which Iran believes is to be used against Israel to start a war. During a meeting between Hurley and an Iranian contact to discuss Annika and the nuclear material, who happens to be Annika’s uncle, Hurley is ambushed by “Ghost”, who kills Hurley’s contact and captures Hurley.
At the CIA safe house in Rome, Annika is being moved under guard by two Mossad agents when Rapp intercepts the car and frees her. Working together, both locate the subterranean headquarters “Ghost” is using to build the nuclear device. After infiltrating the tunnels, Rapp locates and frees a badly injured Hurley, however Annika is captured by “Ghost” and subsequently killed before “Ghost” escapes onto a boat with the nuke. Based on an earlier conversation, Hurley deduces that “Ghost” intends to make a kamikaze attack against the U.S. Navy’s Sixth Fleet. Rapp chases after “Ghost’s” boat, while the Sixth Fleet, alerted to the impending nuclear attack through CIA channels, assumes battle formation and nuclear attack protocol.
Aboard “Ghost’s” boat, Rapp and “Ghost” engage in hand-to-hand combat for control of the boat and the nuclear weapon. After a grueling fight, Rapp gains the upper hand and kills “Ghost” with a knife attack to the throat. Rapp attempts to divert the boat away from the Sixth Fleet to shield the ships from the blast, however after a conversation with Hurley, he instead jettisons the nuclear weapon into the sea before escaping the boat aboard a U.S. Navy helicopter. Seconds later the device detonates, creating a massive sink hole and subsequent tidal wave that inundates the Sixth Fleet vessels, however the underwater detonation prevents the heat of the blast from reaching the ships. Having successfully ridden out the blast and shockwaves, the Sixth Fleet ships initiate nuclear decontamination procedures.
In the aftermath of the blast, Hurley is returned to the U.S. to undergo treatment for his injuries. While watching news reports that indicate that the Iranian hardliners will win the presidential election, Hurley observes that Rapp is on vacation. In Dubai, the hardliner candidate and his escorts enter an elevator in which Rapp is already present, and as the doors close, Rapp is observed smiling.
In My Humble Opinion: The third series of Peaky Blinders was by far the most intricate and complex series to date. The series was filled with captivating plot points, great performances and shocking moments…I mean who thought Grace was going to die? Okay maybe I had some suspicions, but shit, the second episode? Creator Steven Knight created an episode cliffhanger that rivals most season cliffhangers when Grace Burgess, played by Annabelle Wallis was shot in the chest leaving the audience wondering if she would be alive or dead in the following episode. That moment in the series truly caught me off guard, but honestly wasn’t the most powerful scene of the series, at least in my opinion. To me, the best scene of the series was when Cillian Murphy’s character Thomas Shelby and Tom Hardy’s character Alfie Solomons had their very heated exchange after Tommy Shelby’s son had been kidnapped. The chemistry between the two actors is undeniable and the show really capitalizes on that in this particular scene. Throughout the 3rd series Cillian Murphy’s character had been trying to become the “respectable” figure and prove to others (and to himself) that he and his family should be included in the dignified and revered classes of society. Of course, things never really work out as they’re supposed to and the scene between Tommy and Alfie serves as a wake up call to Tommy and reminds him that he’s no better than the criminals and gangsters he’s working so hard to get away from. After all, as Alfie so eloquently puts it, “He who fights by the sword, he fucking dies by it.” Eventually, Tommy embraces the fact that he’s a bad man who does bad things and attempts to convey this message to his family who…aren’t exactly the most receptive (except for Michael, who I think will eventually become as cold and disconnected as Tommy). The series ends on the cliffhanger of all cliffhangers with Tommy being left alone, and while he does explain to his family that he has a plan to get them all freed from prison, it’s the first time in the Series (and I mean Series 1,2, and 3) that we see Tommy truly alone and wonder if he really can find a way out of the situation he’s found himself in!
In My Humble Opinion: The documentary series Making A Murderer is a fine piece of entertainment, but please, let’s also remember that it’s a 10 hour series that covers events that span over 25 years. I watched Making A Murderer on Netflix, and like a lot of other people found it completely engrossing and finished all 10 episodes rather quickly. While I was watching it, sorry, binging on it, I caught myself saying things like, “Steven Avery really got screwed; He deserves a new trial; Those cops were out to get him from the get go,” but when I was done, I then asked myself, “Who am I to weigh in on this?” Like a good majority of the people who watched the series, I’m far from a legal expert, but that hasn’t stopped the masses from chiming in and voicing their strong opposition to Steven Avery’s and Brendan Dassey’s incarceration
The series stirred such controversy that a petition with over 125,000 signatures was sent to The White House demanding President Obama grant Steven Avery and Brendan Dassey a pardon. Really? Like I said, I enjoyed the series and it surely convinced me that there might have been some things that weren’t exactly above-board when it came to the investigation and legal proceedings, but to ask the President for a pardon…come on people. Even one of Steven Avery’s own defense lawyers Jerry Buting brought up the point that the murder trial of Teresa Halbach went on for six weeks but only accounts for about 2-2.5 hours of the 10 hour series. There are a number of questions you have to ask yourself while you’re watching the series. How much testimony did we miss? What evidence might have been presented that didn’t make it into the series? Why weren’t the individuals the documentary accused of evidence tampering or wrong doing ever questioned by the film makers in order to offer up their side of the story? Were they questioned and the interviews were then intentionally left out of the final cut? Making A Murderer argues that Steven Avery didn’t receive fair treatment because the authorities involved didn’t like him, made assumptions about his character, and took steps to ensure a guilty verdict by framing him and falsifying evidence. If that’s the case, then shouldn’t we also question the validity of the series itself and the accusations it makes? Like I said, I’m not legal expert this is just my humble opinion.
In My Humble Opinion: Insidious: Chapter 3 is another exciting installment in the Insidious franchise that opens the door to further possible sequels…or prequels depending on how you look at it. Although it’s titled Insidious: Chapter 3, the movie itself is actually a prequel, taking place some years before the events of the first two films. During the movie the audience is given bits and pieces to the backstory of our favorite paranormal psychic Elise Rayner portrayed by Lyn Shaye. Her character’s backstory accompanied by what transpires in this installment ties all three movies together very well. In this film Elise reluctantly agrees to use her psychic abilities to help a teenage girl reach out to her mother who passed away a year earlier. I don’t want to give too much away, so I will just say that Elise’s reluctance is well founded, because once she gives in and agrees to help Stephanie Scot’s character Quinn Brenner, all hell breaks loose.
I’ve typically found movies that restrict the audience from seeing the danger can prove to be the scariest. In Jaws, you don’t see the shark for like the first three quarters of the movie? Paranormal Activity you never really see anything physical. Surely I could go on and on but my point is movies like this feed the audience’s imagination in order to scare them. Well, Leigh Whannell, who wrote all three Insidious films and makes his directorial debut with this installment, has a sixth sense when it comes to the horror genre. Whannell has a way showing you what might frighten you, showing you the danger, and still scaring the shit out of you. Not one of his incarnations; Jigsaw, The Bride In Black, The Man Who Can’t Breathe, Red- Faced Demon, etc. have failed to instill terror and fear. Bottom line, Insidious: Chapter 3 is definitely worth checking out and Leigh Whannell will continue to emerge as a go to guy when it comes to horror films.
In My Humble Opinion: The new Poltergeist remake serves as another nail in the coffin when it comes to the idea of movie remakes. Don’t get me wrong, the idea isn’t completely dead and there have been a few remakes that proved it can be done, and done well. Unfortunately for every Cape Fear or Nutty Professor type remake that succeeds, there is a mass of Total Recall, Red Dawn, Halloween, types that unseat my confidence in the whole idea of remakes. Poltergeist, unfortunately is another remake that not only shows how bad remakes can be, but just how bad movies themselves can be.
Poltergeist stars Sam Rockwell (which is part of the reason I was hoping this movie would do well, he’s awesome!) and Rosemarie DeWitt as married couple Eric and Amy Bowen. When we first meet the couple and their three children, the family is in the process of buying a new home. Amy doesn’t work and is contemplating on writing a novel, while Eric has recently been laid off from his employer. Hopefully, after reading that, you’re thinking the same thing I was when I watched the movie. Neither parent is working, but they’re buying a home? What is this, the great market crash all over again? Anyway, if you’ve seen the original then you know the basic storyline. A poltergeist begins terrorizing the family, all in an attempt to kidnap the youngest of the Bowens, little daughter Caroline so she can lead all the tortured souls “into the light.” Although in this version the youngest daughter’s name is Maddison (Yeah, cause that will surely distinguish this movie from the original). Spooks and scares ensue, or least that’s what I think the filmmakers were trying to do, before an expert is brought in to save the Bowen family, yada yada yada.
Forget that the movie is a remake for a second, and you still find yourself thinking, “God, this movie is just really…bad!” Never mind the fact that the movie doesn’t deliver up a single scare; the writing is all over the place with no real continuity leaving you with a feeling that the movie was being mapped out as it was being filmed. As far as the performances, the actors themselves seem to be disappointed with the fact that they agreed to be in the movie in the first place. The most evident aspect of this is Sam Rockwell. The normally engaging and magnetic actor is dulled down to a morose, sad sack father with no real passion whatsoever. All in all, the movie was a huge disappointment and the only thing haunting about the movie is the fact that it was ever green lit in the first place.
In My Humble Opinion: The 1996 film The Frighteners is a generally forgotten film when it comes to horror movies. Granted, it’s far from the scariest movie out there, but it’s a truly entertaining picture that successfully blends both the horror and comedy genre together. The 1996 film written & directed by Peter Jackson was the last film he wrote, produced, and directed before descending upon Middle Earth and becoming a household name for his Lord of the Rings / The Hobbit trilogies. The film stars a young Michael J. Fox as Frank Bannister, a psychic paranormal investigator who is haunted by the loss of his wife, who died in a car accident years prior. Plagued with grief, Bannister now uses his ability to see and interact with ghosts to con people out of money in order to make ends meet. Low and behold his abilities and integrity are put the test when the “Grim Reaper” turns up in the small town Bannister inhabits to continue a murder spree that was put in motion many years earlier (I’m trying to avoid spoilers if you haven’t seen the movie yet so I’ll end the description here).
Considering the movie was released in 1996 the special effects are surprisingly impressive. The “ghosts” embody what I imagine we all typically envision when we think of what ghosts would look like if they existed in real life. The “Grim Reaper” is a digitally created nightmare that, despite the movies comedy chops, instantly reminds you why the film is considered horror as well. The New Zealand – American film was a moderate success grossing $29.3 million at the box office compared to its $26 million budget. The film earned Saturn nominations for writing, directing, special effects, music, and certainly put Peter Jackson on the map with regards to his writing and directing abilities. If you haven’t seen the film yet I strongly encourage you to check it out, especially with Halloween approaching. If you have seen it, make some time to break out of the repetitive viewing of other classics like Halloween, Friday the 13th, Nightmare and Elm Street, and re-discover this commonly overlooked horror classic.
In 2029, the leader of the human resistance, John Connor, leads the war against the machines. At the Los Angeles offensive, John is notified by his army unit, Tech-Com, that Skynet will attack him from two fronts, past and future, and will ultimately change warfare forever. In response, he sets up 2 units; the Colorado Unit which is tasked with destroying the heart of Skynet, and a second unit lead by himself and Kyle Reese which is tasked with destroying Skynet’s final weapon, a time machine.
Before the resistance can reach the time machine, Skynet sends a T-800 back to 1984 to kill Sarah Connor, John’s mother. John agrees to send Kyle Reese back to protect Sarah. As Kyle is floating in the machine’s magnetic field, he experiences new memories of his 12-year-old self with a young Sarah Connor, and a warning that “Genisys is Skynet” and it will come online in 2017.
The T-800 arrives in 1984 Los Angeles, but is quickly dispatched by Sarah Connor and the Guardian, a reprogrammed T-800 with aged human tissue. Shortly after, Kyle is ambushed by a T-1000 and is rescued by Sarah and the Guardian. Kyle is informed that the original past has changed, Sarah already knows about Skynet, Judgment Day, and Reese’s role as her protector and John Connor’s father (although Kyle doesn’t know he is John’s father). They lure the T-1000 to a sewer, where Sarah disintegrates it with acid.
Sarah explains to Kyle that the Guardian was sent back in time to 1973 in order to protect Sarah the T-1000. The arrival of both terminators caused a fractured timeline that differs from Kyle’s. After saving and protecting Sarah, the Guardian raised and trained her to face her destiny, which she adamantly tries to reject. They have built a time machine to time travel forward to 1997 and stop the creation of Skynet. However, Kyle, convinced by his new memories, persuades the Guardian and Sarah that they should travel to 2017. Kyle and Sarah time-travel, while the Guardian spends the next 30 years preparing for their arrival.
Kyle and Sarah materialize in the middle of a highway and are captured by the police, followed by the Guardian. While they are being treated for injuries, Sarah is introduced to Genisys, a soon-to-be-unveiled operating system that will be used on every computer, mobile device, and military application. They are unexpectedly rescued by John Connor. As John leads the pair to the parking garage, the Guardian catches up with them and shoots John, revealing him to be a nanomachine replication of John, the T-3000. After a brief battle, the T-3000 is temporarily incapacitated with an MRI machine.
The Guardian takes Kyle and Sarah to a safehouse near Golden Gate bridge where they prepare to destroy the Genisys building before Genisys is online. The T-3000 tracks them down, and the battle reaches the Golden Gate bridge, where Kyle and Sarah are once again captured, this time with the Guardian. They are freed by Detective O’Brien, who was saved by Kyle in 1984, and is convinced that they are time-travellers with good intentions. The three hijack a helicopter and head to the Genisys building, pursued by the T-3000.
The T-3000 enters the Genisys building first, kills all the security guards and moves the count down forward from 13 hours to 15 minutes. The Guardian, Kyle and Sarah plant bombs at key points in the facility, all while holding off the T-3000. After a lengthy battle, the Guardian successfully traps the T-3000 in the magnetic field of the prototype time machine. After Kyle and Sarah navigate to a bunker beneath the facility, the time machine explodes, setting off the bombs and leveling the building, preventing Genisys from coming online.
With their mission over, the Guardian, Kyle and Sarah travel to young Kyle’s home, where he repeats the warning of Genisys to young Kyle. Sarah is relieved to know that she is now free to choose what to do with her future, and chooses to be with Kyle. The three then drive away. In the epilogue, the Genisys system core hidden in a subterranean chamber survives the explosion and the holographic projection of the now self-aware Skynet looks on.